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Gil Elvgren: All His Glamorous American Pin-Ups (Taschen 25th Anniversary Special Editions)
June 1st, 2011 by Aldouspi

Gil Elvgren: All His Glamorous American Pin-Ups (Taschen 25th Anniversary Special Editions)

Post-depression America was in desperate need of a defining iconography that would lift it out of the black and white doldrums, and it came in theform of Gil Elvgren’s Technicolor fantasies of the American dream. His technique – which earned him a reputation as “The Norman Rockwell of cheesecake” – involved photographing models and then painting them into gorgeous hyper-reality, with longer legs, more flamboyant hair and gravity-defying busts, and in the process making them thgreat American Glamorous Pin-up…

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3 Responses  
  • Daniel J. Hamlow writes:
    June 1st, 201111:42 pmat
    40 of 40 people found the following review helpful:
    5.0 out of 5 stars
    I’ve found my cheesecake Eden right here!, July 5, 2002
    By 
    Daniel J. Hamlow (Narita, Japan) –
    (TOP 100 REVIEWER)
      
    (REAL NAME)
      

    If I was to choose a coffee table book of cheesecake and magically, could live on an island surrounded by the models in that book, I’d have to pass up Sorayama, Olivia, and Vargas, and go for Gil Elvgren, the collection being this 200+ page work that covers Elvgren’s work from the 1930’s to the 1970’s.

    The girls in Elvgren’s paintings not only come alive, but seem more warm and human, innocent with a twinge of spice. So this is what they meant by “sugar, spice, and everything nice.” Maybe because most of them are smiling, with those pearly whites showing. I could spend hours looking through those pages, forming stories around the paintings.

    Many look like celebrities. In “Let’s Go (1957),” the blonde getting out of a white car looks a lot like Marilyn Monroe. The girl in “True To You (Sitting Pretty) (1950)” also resembles Marilyn but with brown hair. And the honey in “Evening Out (1969)” reminds me of Geri Halliwell.

    Okay, so many of the drawings can be construed as sexist. The particular theme on that being girls who get their skirt lifted up by well handles, pipes, fence rails, ladders, and elevator doors, revealing two very shapely legs.

    Equally interesting are paintings that were repaints of earlier work. “In For A Tanning” featured a sitting nude girl holding her bikini with a black dog to her side. “Dumb Pluck” featured the girl in the same pose, except she was wearing a candy-cane striped bathing suit and holding a shovel, the dog still on her left.

    Some were risque even for their time and the more amusing ones are beach shots where the girls get into distress, such as having their beachware stolen by a dachsund (Taking Ways, 1950) And his nudes were never full frontal, only seen from the rear or side, the sole exception being “Harem,” an undated painting of an innocent maiden captured by Arabs.

    It’s when looking at his work during the 1960’s and 1970’s, that yes, the models have changed with the times and despite having Elvgren’s signature style, their hairstyle are with their times.
    Other notes: the paintings are clearly better than the real-live model replications hands and legs down.

    So, my favorites? That’s a difficult one, as the models are oh so cute, but I’d have to settle for “Well Picked,” of a girl in yellow dress wading in a pool and picking up a lily flower, “Golden Beauty,” of a Diana Dors-lookalike, “Surprise Package,” where the girl wrapping the X-mas present is clearly the title object, and “Lazy Days,” of the girl lying leisurely on the summer grass.

    Proof that too much of a good thing is better, and that too much cheesecake can be good for one and not be fattening. And with all apologies to the Beach Boys, “I wish they all could be Gil Elvgren girls!”

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  • Robert A. Desch, Jr. writes:
    June 2nd, 201112:25 amat
    18 of 19 people found the following review helpful:
    5.0 out of 5 stars
    The Definitive Elvgren Resource, January 31, 2000
    By 
    Robert A. Desch, Jr. (Orlando, Florida) –

    Gil Elvgren was one of the masters of the art of the Pin-up back when Pin-ups were sweet and sexy without being lewd. This terrific book is a virtual catalog of his work. After a brief introduction to the history of Pin-up art and the life of Gil Elvgren, it displays more than 550 plates of his creations including a great many images of his advertising related works for such companies as NAPA and Sylvania. Only his work on behalf of Coca Cola is missing from the book. It has a full index to the image titles. This is a must for any Elvgren aficionado or Pin-up enthusiast.

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  • Ryan Yeung writes:
    June 2nd, 20111:20 amat
    14 of 15 people found the following review helpful:
    5.0 out of 5 stars
    All hail the Master of Pin-Ups!!, October 28, 2001
    By 
    Ryan Yeung (West Covina, CA United States) –
    (REAL NAME)
      

    This book is a good 300-400 pages thick, all in colorful high quality papers! It pretty much contains all(about 99%) of Gil Elvgren’s works ever painted. It’s even got some exceptional nude pictures that Gil had presented to his close friends as gifts. Buy this book for its beautiful American sweet hearts! Buy this book for its vivid brush works. Buy this book for its historical value as an momento of America! 🙂

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