This nude pin-up looks awfully warm for standing next to that snowman. January/winter Pin-up Calendar Art by Bill Randall.

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TITLE: By Julie M Covert Art of Winter (1st First Edition) [Hardcover]



Celebrating the beauty that winter creates with ice and snow, “Art of Winter” by Julie M Covert is a pictorial essay of winter’s fierce and fragile beauty on Lake Huron. It is a feast for the eyes for anyone who loves the Great Lakes, winter and the beauty of nature. Surprising plays of light and sculptures of ice are the reward for braving bone-chilling temperatures. It captures ice and water doing battle; the stunning pink of sunrise as seen through the prisms of countless ice shards; and the wildlife of Lake Huron as they hunt and play. These images captivate the senses and may even create a longing for those frosty mornings, when snow crunches underfoot and one’s breath can be seen.–
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TITLE: Impressionists in Winter: Effets de Neige

Impressionsts in Winter: Effets de Neige presents the first thorough investigation of the subject of Impressionist winter landscape. The subject of winter – clearly the most inhospitable season for plein-air painting – provides some of the most exceptional and most spellbindingly beautiful paintings in Impressionism. No exhibition and no publications in the literature on Impressionism have been devoted to this theme before. While such a thematic approach might seem at first blush a superficial one, the subject of this exhibition goes to the heart of one of the central issues of Impressionism, a dedication to painting specific effects of weather and light that is unprecedented in the history of art. Inspired by Alfred Sisley’s Snow at Louveciennes in The Phillips Collection, this exhibition of sixty-three works presents an opportunity to consider the subject of snow in Impressionist painting in an unprecedented way. While anyone might have come across one or two of these exceptional works in various works in this country or abroad, it comes as a surprise to most to learn that the Impressionists painted hundreds of paintings of snow or effets de neige, as they came to be called.

Of all the Impressionists, three artists especially were drawn to paint effets de neige: Claude Monet, Alfred Sisley, and Camille Pissarro. Their shared fascination with these ‘effets’ led all three to repeatedly seek out opportunities to paint landscapes in snow. Yet each brought to the subject a highly individual response that we find reflected in the paintings assembled here. In addition to these three artists, Pierre-Auguste Renoir, Gustave Caillebotte and Paul Gauguin also painted snowscapes, though far fewer. Renoir’s characteristic interest in a social gathering of skaters in the Bois de Boulogne, Caillebotte’s dramatic elevated views over Paris, and Gauguin’s rare Brittany snowscapes add dimension and contrast to the dedicated pursuit of winter landscape just outside Paris of Monet, Sisley, and Pisarro. The result is a wider range of winter scenes from the bucolic French countryside to ice floes on the Seine, from the paths and roads of small villages to the boulevards and rooftops of Paris. Their common ground is an obsession with winter light. Most of us do not think of Paris-or the surrounding countryside-covered in snow. We do not anticipate a blizzard impeding winter travel to this part of of the world nor have we ever seen the Seine frozen solid.

A very different weather pattern prevailed during the late 19th century. Snowfalls, blizzards, and frost were a fairly common winter occurrence. Two of the most severe periods of extended cold since 1840 occurred during the winters of 1879-80 and 1890-91. In order to provide a backdrop of recorded weather conditions of the period, we brought together documentation from numerous sources to describe precisely the winter weather during the years covered by this exhibition . The weather was at times described as ‘wolf-like’ or ‘Siberian,’ and once was compared to the North Pole. These vivid accounts not only have helped us to assign dates to certain undated works, but also have provided a context for appreciating the impact of weather conditions on life in France in the late nineteenth century.
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News About Winter Art Click here for another post featuring a Snowman with Girl Pin-up [insert_php] $rss = new DOMDocument(); $rss->load(‘http://news.google.com/news?output=rss&q=[winter+art]’); $feed = array(); foreach ($rss->getElementsByTagName(‘item’) as $node) { $item = array ( ‘title’ => $node->getElementsByTagName(‘title’)->item(0)->nodeValue, ‘desc’ => $node->getElementsByTagName(‘description’)->item(0)->nodeValue, ‘link’ => $node->getElementsByTagName(‘link’)->item(0)->nodeValue, ‘date’ => $node->getElementsByTagName(‘pubDate’)->item(0)->nodeValue, ); array_push($feed, $item); } $limit = 7; for($x=0;$x<$limit;$x++) { $title = str_replace(' & ', ' & ', $feed[$x]['title']); $link = $feed[$x]['link']; $description = $feed[$x]['desc']; $date = date('l F d, Y', strtotime($feed[$x]['date'])); echo '‘.$title.’ ‘; echo ‘Posted on ‘.$date.’ ‘; echo ”.$description.’ ‘; } [/insert_php]

Lucky girl, she works at home and does not need to dress up for work. Lucky us, Russian artist Nikolai Tudi has drawn a pin-up of this very casually dressed lady taking a break from working at her tablet.

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Pin Up and Cartoon Girls

TITLE: Russian Folk Art (Indiana-Michigan Series in Russian and East European Studies)

“… a significant contribution to Russian art history in any language. Her book proves invaluable for serious specialists, useful as a textbook for students, and informative for all interested in the subject.” — The Russian Review “The book is a treasure for anyone interested in Russian culture.” — Antique Review “… intelligent, well-written, beautifully edited and handsomely produced… wealth of detail and interpretive perspectives… ” — Canadian Folklore Russian Folk Art describes the traditions, styles, and functions of a broad range of objects made by Russian peasant artists and artisans, from goblets and dippers to clothing and window frames. Abundantly illustrated with examples from Russian museums.
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TITLE: [The Uncommon Vision of Sergei Konenkov, 1874-1971: A Russian Sculptor and His Times] (By: Marie Turbow) [published: March, 2001]

Sergei Konenkov was one of the 20th century’s most distinguished Russian artists. After spending over 20 years in the United States, he returned to the Soviet Union in 1945 to become a respected member of the Soviet art world. The mentor to an entire generation of Soviet sculptors, he was renowned for his personal charisma and artistic versatility. This collection of essays, interviews and personal reminiscences is an appraisal of his work.
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