Three Great Cartoon Drawing Tips
Dec 8th, 2011 by Aldouspi

Three Great Cartoon Drawing Tips

By: Plack Braff

Cartooning is not about drawing it is about telling stories. Yes, even when you are drawing a single illustration you are telling a story. Cartooning is about expressing your thoughts. And it is your thoughts expressed beautifully through your cartoon characters that make you different from other average cartoon makers.

But as in every other field of life here also you must learn to walk first before you try running. To express your thoughts and ideas through your cartoon characters, you need to master the skill of cartoon drawing first. Then, of course, you can use your cartoon drawing skills to tell story to your liking.

To be skilled in cartoon drawing you have to face a learning curve. You just can’t decide to be a cartoonist then copy some popular cartoon figures and become an accomplished cartoonist who is rich and famous. If you are lucky and talented with keen sense of observation you may pickup one or two tricks by making copy of popular cartoon figures. But that is too inadequate to be of any use.

There are various ways that you can take to learn cartoon drawing – you can join cartooning school or take a home study course or follow a book of an expert cartoonist – the bottom line is you have to follow the steps. Like you should first teach yourself drawing 3d shapes, then learn to stretch, squash those 3d shapes in your drawing. Next you need to practice things like drawing hands and head before moving on to motion and emotion and advanced things like that.

If it sounds like lot of work, you are right. But what you achieve at the end is worth working for. If you are smart however you can use the tips you are going to discover here to make the whole learning process fast and painless.

  1. ==> Do not start with computers. I agree I run the risk of sounding backdated. But here I am not opposing usage of computer altogether, no sane person can do that. But for beginners there is no alternative to using paper and pencil.

There are various software that help you so much that you can go ahead even without learning how to draw a smooth line. This kind of over dependency on computers from the very beginning always backfires down the road.

  1. ==> Nail the fact in your mind that construction of human, animal, cars and most of the things that that we see around us are complex 3d structures though we draw them on paper which is 2D. So when drawing you must mentally analyze your model in terms of 3d shapes like spheres and boxes and not in terms of 2d shapes like circles and rectangles.

Also when you draw something from paper (i.e. 2D), look for and find out the 3d shapes that make up the character.

  1. ==> Most of the cartoon drawing or figure drawing tutorials always start with some basic 3d shapes and after a number of steps end up in a complete and beautiful figure. This technique is very effective in learning how we can draw complex figures starting with simple shapes. But what I am going to tell you will make your pace of learning even faster. It is in fact very simple way of using the same tutorial. Just a lot more effective.

What you need to do is start where the tutorial ends and go backward from there. See the completed figure and try to recognize the ingredient basic shapes. And compare your analysis with the exact shapes that are used in the tutorial.

This will give you a very through exercise in recognizing the basic shapes. And after some time you will be analyzing the real life around you like an expert. Just take your time and practice this technique, and see how fast it will improve your skill in cartoon drawing.

Cartoon drawing is pure fun both for professionals who earn their living through cartooning and hobbyists who draw cartoon only for personal pleasure. I do not know what you goal is but hope the tips here will be helpful for you. Never stop learning: there are a whole lot to learn and even more fun to have in the process. Happy journey!

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Oct 9th, 2011 by Aldouspi

The History of the Cartoon

cartoon history

A cartoon is described in the dictionary as being a ‘simple drawing showing the features of its subjects in a humorously exaggerated way’. Cartoons have evolved from their origins as preparatory drawings to satirical sketches in newspapers and periodicals in the 1800s, and more recently to an exaggerated representation of human life as shown by modern examples such as The Simpsons.

Although the satirical types of cartoons sketches still exist, with controversy often surrounding the artist and subject matter, the term cartoon has evolved massively in the last 150 years. A cartoon means something completely different today as TV shows, films, advertisements and comics rely heavily on cartoon characters and the art of illustration in place of realistic drawings or life-like art.

Cartoons, as humorous drawings, originated in 1843 when satirist magazine, Punch, used the term to describe the sketches by artist John Leech. Leech’s Cartoon no. 1: Substance and Shadow, shows the first use of the term cartoon in relation to a humorous drawing or satirical sketch. The political or humorous cartoon had been used for years previously, but Leech was the first to coin the phrase.


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As early as 1754, Benjamin Franklin created the drawing of a snake in various pieces with the caption ‘Join, or Die’ to encourage unity amongst the colonies prior to the French and Indian War. The use of editorial cartoons to promote a specific message originated in the early 1700s.

The Use of Strap-lines

Cartoons were often used to promote political or social awareness, as they would appeal to people of all levels of education with a simple message. An easy-to-understand message (the strap-line) would prove invaluable as a persuasive tool and so posters and editorial cartoons would use cartoons with a strap-line to create a brief, concise meaning.

The Franklin cartoon was the clever use of an iconic image with a single line to portray a strong message. This type of cartoon became regularly used in the 1900s when gag cartoons would be published in popular magazines including Punch and the New Yorker.

One of the key artists, Peter Arno, is widely credited for inventing the gag cartoon when working for New Yorker magazine.


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As well as the single-caption gag cartoon, comic strips became popular around this time. Comic Strips originated in the late 19th century in American newspapers. The difference between comic strips and the gag cartoons of the same era, is primarily that of length. The comic strip will tell a story in a series of images with text attached in speech-bubbles or captions.

Some of the most famous comic strips that use this traditional method are still in use today. From its beginning in 1950, the Peanuts comic strip by Charles M. Schulz published a total of 17,897 strips before the death of Schulz signaled the end of the cartoon. The success of the Peanuts comic strip led to the four-panel gag strip becoming the industry standard for comic strips in the United States.


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Peanuts would be one of the pioneers of the cartoon transition from comic strip to television and film. Others that would make the move with varied success include Dennis the Menace, Dick Tracy, Andy Capp and Garfield. The motion picture would be the biggest step in the evolution of the cartoon, most famously made by the films of cartoon legend Walt Disney.

Disney’s first venture into animated film is shown in the Alice Comedies, a series of short films that combine a real girl with an animated cat, all set in front of an animated landscape. This technique was revolutionary and signaled the direction of future live-action/animations including Who Framed Roger Rabbit? and Space Jam in the 1990s.

Disney would go on to create some of the most influential cartoons in history, including the most recognizable cartoon character of all – Mickey Mouse. Mickey was created in 1928, first appearing in the Plane Crazy cartoon with his long-term beau Minnie. Mickey went on to star in hundreds of cartoons and remains the most popular cartoon character that Disney ever created, ahead of the likes of Donald Duck, Dumbo and Pinocchio.

The change in media to animated film paved the way for some of the most influential cartoons of the 20th century. As well as the massive number of Disney films that would change the landscape of film forever, many other cartoons would light up the silver screen as the years passed. Warner Bros. cartoons began soon after Disney’s inception and would introduce the world to a number of amazing characters that remain popular to this day.

Bugs Bunny appeared for the first time on screen in the 1940 animation A Wild Hare. In 2002, Bugs Bunny was named by a popular television magazine as the greatest cartoon character of all time. Other popular Warner Bros. characters include Speedy Gonzales, Daffy Duck and Porky Pig.

Another popular company to produce animated cartoons was the American company, Hanna-Barbera. Responsible for some of the most respected cartoon series in the latter part of the 20th century, Hanna-Barbera produces classics including Tom and Jerry, Scooby-Doo and The Flintstones. These animations would influence some of the biggest hits of the century, as cartoons began to mimic real-life and have more realistic characters instead of the animals or fantasy stories of Disney and Warner Bros.

As the animated film became the most common place to find cartoon characters, the style, themes and techniques changed dramatically. As situation comedies dominated TV schedules on both sides of the Atlantic, animators would look to recreate this style with cartoons as the main characters. Out of this concept, the most popular animated series of all time was born as the world was introduced to The Simpsons.

The Simpsons were as far removed from the likes of Walt Disney as could be possible. The fantasy, fairy-tale style that was so prevalent in Disney’s cartoons was replaced by crude, raw animations of a ‘normal’ American family. Launched in the late 1980s, the cartoon has remained immensely popular with over 400 episodes and a feature-length movie grossing almost 600 million dollars worldwide.

The Simpsons would be criticised by conservative sections of the US as they claimed it provided bad role-models in the forms of the lazy, incompetent Homer and the naughty, disruptive Bart. The Simpsons would show a normal, working-class family in some realistic and some unrealistic scenarios, yet the characters themselves were always believable and empathetic. The disruptive, anarchic style and often controversial episodes would pave the way for even more controversy and animators pushed the boundaries of acceptability in cartoons.

The most controversial cartoon series of the 20th century would follow The Simpsons with regressive cut-out animation, cartoon violence and satirical story-lines. South Park would parody popular culture and satirize current events, but would arrive amidst a storm of controversy for its toilet humour and offensive language.

174 episodes later, South Park has been running for twelve series and has achieved Academy Award nominations for its feature-length South Park: Bigger, Longer & Uncut. Despite its seemingly puerile beginnings, South Park would develop into a cutting social commentary, satirizing subjects as diverse as euthanasia, the church of scientology, sexuality and global terrorism.

The Simpsons and South Park represent the current crop of exciting, contemporary cartoons that will influence the cartoons of the future. There are already countless other cartoons that borrow style, themes and humor from these two pace-setters, with the likes of Family Guy, American Dad and Futurama continuing the trend.

However, Disney has been opting for computer animations with its most recent films including Ratatouille, Finding Nemo and WALL-E.

So is the art of the cartoon dying out in the modern cartoon’s home of Florida? With new film-makers, animators and artists always looking for the next-big-thing, cartoons will always be popular for creators and the viewers, so the cartoon will continue to go from strength to strength.

Patrick is an expert Research and Travel consultant. His interests include Luton airport parking, Airparks Luton and Pink Elephant Stansted.


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