Watercolors What You Need To Remember
Jul 31st, 2010 by Aldouspi

Watercolors: What You Need To Remember

Watercolors appeal not only to adults but to children as well. What’s great about it is that for those who have painting experience already, learning watercolour painting is another thing to explore. While, the for beginners, watercolour painting is fascinating to explore.

For taking care of painting materials remember to be:

• Use your paint generously.

• Use both sides of the paper. If you made a mistake on one side then you may successful on the other side of the paper.

• Cover your tube or cake of paint so that it would not get hard.

• Use fresh paint everytime. Using dry and hard paint would just wear your brushes out.

• Keep your palette clean. Never leave paint on it.

• Clean your brushes and make sure that it would also not get hard.

• Whenever painting make sure that you have clean rags.

• Use enough water, too much water can make paint uncontrollable.

Here are some useful painting tips using watercolors from Ron Ronson’s painting school.

• When painting distant greens, make them look week. Make the foreground greens rich in color. To add texture, you could make the greens appear muddy.

• When painting the sky, make sure to keep the clouds appear smaller if they are far. Do not use tissue to dab the clouds.

• When painting water, remember that water is colorless, its color is from what surrounds it. Rivers and seas, would have different characteristics, therefore it would look different.

• When painting rocks, it could be given strength by rapid directional strokes.

• When painting trees, leave to leave some foliage missing so that the body or stem of plants will be show.

• Buildings and old houses can also be a subject of watercolour painting. When painting buildings avoid similar color on the walls to avoid boring look. When painting a town, there is no need to paint all the doors and the windows. You could just pick some to convince the one who is looking at it.

Painting people and animals is another difficult subject to do. There are some painters who are very nervous about adding people and animals to their art works since they are afraid of not meeting any man’s standards.

• When drawing animals and shoes, make sure that they will have shadows. This will keep them anchored to the ground.

• Put shadows on the figure to ensure that they would be anchored to the ground

• Try to paint the figures smaller, thinner rather than being stumpy.

• Make your figure fit the picture.

• For the figure to standout, counterchange them. A light figure for a darker background.

• Do not let the head of the figure get too big.

Make sure that these steps are always being practiced. A craft which is not practiced is more likely to be forgotten or never develop. Watercolors as a form of visual art could surely teach a person a lot about colors, tonal values and establishing distance. it would just require patience and of course, practice

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Painting With Water
Jul 21st, 2010 by Aldouspi

Painting With Water

Painting With Water: Some Basic Exercises On Using Watercolors

Painting with watercolors can be the most challenging experience a beginning painter may have. This is because of the difficulty with handling this particular medium. Water is a difficult base to work with because it warps the paper beneath it and the fact that it does not stick immediately to the paper when applied. This means you need to have a deft touch to your handling of the medium so that it reaches its maximum potential.

How exactly exactly do we go about learning how to paint watercolors properly? Well, here are a few exercises where you can earn the skills necessary to have a skilled hand with the medium.

a) Painting Bands – One of the basic things that you need to learn is how to control your laying down of color. First, ready several colors for use. You will also need average-sized paper to do your strokes on. Then, choose your heaviest brush for this exercise. Then you dip your brush heavily in a particular color, then draw a long stroke across your paper. Don’t make a straight line – draw a wavy, curved line. When you’ve done with your stroke, immediately clean you brush then move on to your next color and do the same thing under your previous line. Make sure that the lines are as close possible without touching. Especially avoid mixing the colors. Do this until the paper is filled. This exercise teaches you how to control your strokes so that you maximize coverage without causing an overlap.

b) Varying Thickness – You don’t always lay down a flat continuous line. You need to learn how to vary the thickness of your strokes. Prepare the same materials as the last exercise. Fully load your brush with watercolor, then do a straight stroke across the paper. While doing this, increase pressure on the brush to thicken the lines, then decrease pressure to thin the line. Alternate the thin and thick parts. After doing one stroke, clean your brush and do another stroke in another color – however, try to match the previous thin parts with thick parts and vice versa. Try to avoid any overlapping parts. This teaches you how to control the application of your paint’s width at will – another useful skill for a prospective watercolorist.

c) Flicking Strokes – Prepare the same materials once again. This time you will learn to apply light and fast strokes. If done improperly, they have a tendency to spill all over the page – but if done well, the effect is similar to drawing blades of grass. To do these strokes, ready your brush with color. Then place the brush on paper angled towards you. Do a quick flick outwards and upwards. The end point of your stroke should end in a feathery point. This can be difficult at first, but just keep on trying.

There you go, three simple exercises that teach you control of your brush and paint as it hits the paper. Continued practice will only earn you improved skill, so keep on doing it to improve!

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Painting on water – EBRU

This video was captured at the Islam Expo last weekend. The man painting explained that it is a traditional Turkish method of painting using all natural ingredients (earthy colours and natural bristle brushes)

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