Charles M. Schulz, Cartoonist
Oct 10th, 2025 by Aldouspi


Peanuts

Charles M. Schulz:

Charles M. Schulz created the comic strip, “Peanuts.” In my mind, the years of artwork, humor and insight produced by Schulz is an American treasure.

Charles M. Schulz: The Gentle Philosopher Behind Peanuts

Charles M. Schulz (1922–2000), the creator of Peanuts, was more than a cartoonist — he was a quiet philosopher who explored the humor and heartache of everyday life through simple lines and timeless characters. Over nearly fifty years, Schulz gave the world Charlie Brown, Snoopy, Lucy, and Linus — a cast of endearing souls who embodied the joys, doubts, and dreams of being human.

Schulz’s humor often carried a subtle wisdom, reminding readers that even small moments hold meaning. His words continue to resonate long after his final comic strip:

“Happiness is a warm puppy.”

– A reminder that joy can be found in the simplest of comforts — a warm embrace, a loyal friend, or a fleeting moment of peace.

“Don’t worry about the world coming to an end today. It’s already tomorrow in Australia.”
– Schulz’s trademark humor meets quiet optimism here. The line invites us to step back from our anxieties and see that life goes on, even when we fear it won’t.

“Life is like an ice cream cone — you have to lick it one day at a time.”

– With a childlike metaphor, Schulz captures the essence of mindfulness: enjoy life while it lasts, and savor its sweetness before it melts away.

“Sometimes I lie awake at night, and I ask, ‘Where have I gone wrong?’ Then a voice says to me, ‘This is going to take more than one night.’”

– Beneath the humor lies Schulz’s empathy and realism — an acknowledgment that self-doubt is part of being human. Like Charlie Brown, we stumble, reflect, and carry on.

Schulz’s genius lay in his ability to make millions laugh while also inviting them to think. His Peanuts world may have been drawn in black and white, but the emotions within it were beautifully, profoundly human.


Charles Schulz art related articles…

Peanuts

How eagerly I scanned the comics section
      to see if, the Doctor Was “In”,
or Snoopy atop his doghouse,
     Charlie Brown fighting
the kite-eating tree, and numerous
     simple, funny 4-panel cartoons
a kid could read
     to a concluding, delightful laugh.

Some days in my real life
     I have been Charlie Brown,
some days Lucy or Linus,
     Pigpen or even Schroeder,
but I always wanted to be
     Snoopy,
and that maybe more true
     today, at 73,
then when I was 6,
     all those many strips ago.

©2025 Carl Scott Harker, author of

The Classic Fine Art of Cats

Watch This Space

Charles Schulz was born in Minneapolis, Minnesota on November 26, 1922 and grew up in St. Paul. Schulz had always wanted to become a cartoonist and achieved his goal in 1947 when the St. Paul Pioneer Press began printing his comic strip … Schulz’s family followed his wishes that the strip not be continued. “To the very end, his life had been inseparable from his art. In the moment of ceasing to be a cartoonist, he ceased to be.” -David Michaelis Schulz and Peanuts: A …

Publish Date: 09/30/2010 21:00

http://www.tauycreek.com/2010/09/60-years.html

Sparky: The Life and Art of Charles Schulz by Beverly Gherman

Ms. Gherman does write about Mr. Schulz’s messy divorce and about his childhood insecurities that followed him into adult life, but these negative events and traits come across as endearing elements that made Charles Schulz a deeper, …

Publish Date: 08/22/2010 21:05

http://www.semicolonblog.com/?p=11035

Hear the Music of the Peanuts Comic Strip for the First Time On

The Charles M. Schulz Museum opened in August 2002 to fulfill its mission of preserving, displaying, and interpreting the art of Charles M. Schulz. The Museum carries out this mission through changing exhibitions and programming that …

Publish Date: 09/22/2010 19:21

http://www.mytoptoysite.com/6615/hear-the-music-of-the-peanuts-comic-strip-for-the-first-time-on-line-in-schulz%C2%92s-beethoven-schroeder%C2%92s-muse/


AMERICAN MASTERS Good Ol’ Charles Schulz

AMERICAN MASTERS Good Ol’ Charles Schulz, premieres nationally Monday, October 29 at 9pm (ET) on Thirteen. This is a quintessentially Midwestern story of an unassuming, self-doubting man who, through expressing his unique view of the world, redefined…

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Feminist Tension of Pinup Culture
Sep 26th, 2025 by Aldouspi

The Hidden Feminist Tension of Pinup Culture:

Why America’s Most Controversial Images Still Matter


When we talk about American art, pinups rarely get the credit they deserve. They’re dismissed as kitsch, reduced to male fantasy, or tucked away as nostalgic artifacts of wartime culture. But this oversimplification misses a crucial truth: pinups carried a hidden feminist tension that reshaped the trajectory of American art and identity.

They objectified women — yet they also amplified female visibility in ways no other art form had at the time. That paradox still shapes how we view gender and media today.

Modern Pinup: Lovely Nurse at Her Work Desk by Carl Scott Harker • Click this link for more information or to buy on eBay.


Pinups as Ubiquitous Icons

Unlike gallery art, pinups were democratized. They hung in military barracks, appeared in magazines, and were printed on everyday products. They were America’s first mass-distributed female icons, saturating visual culture in a way that transcended high art.

For many men, they were symbols of fantasy and comfort. For women, they were complicated—at once limiting and liberating.


The Power of Identification

Why did these images resonate so deeply? Neuroscience offers clues.

  • Mirror neurons fired when women looked at pinups, allowing unconscious rehearsal of confidence and self-presentation.
  • The dopamine system reinforced attraction, embedding pinup aesthetics into cultural memory.
  • The fusiform face area, a brain region specialized in facial recognition, made pinups’ iconic looks — arched brows, red lips, bold poses — instantly recognizable.

Pinups weren’t passive. They were active cultural training mechanisms, teaching both sexes new scripts for desire, aspiration, and identity.


The Psychological Double Edge

Pinups carried contradiction by design.

  • They objectified: reducing women to symbols of male desire.
  • They empowered: placing women in bold, playful, and unapologetic roles of visibility.

This tension forced culture into a confrontation: Could the female body be both consumed and celebrated? Could sexuality be both dangerous and liberating?

The debates pinups sparked were less about art itself and more about the boundaries of freedom and agency.


Sexuality as Art’s New Language

Before pinups, American art tiptoed around sexuality. Seriousness was equated with restraint. Pinups shattered that paradigm.

They elevated sexuality into a legitimate cultural language—a way to signal power, rebellion, and modernity. This shift paved the way for advertising, pop art, fashion photography, and eventually the unapologetic boldness of feminist art in the 20th century.


Relic of Male Fantasy or?

Scroll through Instagram, TikTok, or OnlyFans, and you’ll see the same tension replayed. Visibility, desire, and self-presentation remain battlegrounds where questions of empowerment and objectification collide.

The legacy of pinup culture is not that it solved this tension — but that it proved the tension itself could drive cultural change.

Pinups were never just decoration. They were catalysts. And understanding them means understanding the roots of how America learned to talk about gender, art, and desire in the modern era. Pinups of the past were a key force in shaping American art, gender dynamics, and cultural philosophy – and continue to be such a force today.


 

News About Modern Pinups

Long Live Pinups

Pinups are cousins of
      the fine art nude
allowed to display
      with subtle inuendo
or with more blatant details
      the sexuality
of human beings,
      mainly through unexpected
views in multiple settings
      of curvaceous bodies
with prominent breasts
      of women,
breaking the taboos
      of popular art,
commercial and otherwise,
      for a freer society.

©2025 Carl Scott Harker, author of

H. M Woggle-bug, T.E. Presents
Botanical Surprises
in the Land of Oz.



The Modern Art
of Figure
Drawing – And Pinups
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