Buying Watercolors And Painting Materials
Sep 12th, 2010 by Aldouspi

watercolor

Buying Watercolors And Painting Materials

Planning to start watercolor painting and you are a novice? Then the first thing you need to do is purchase your watercolors and painting materials. Sometimes, looking for painting materials can be overwhelming, since there are a lot of choices.

To make shopping easier, here are the painting materials you will be needing and what you need to look for.

Watercolors

Watercolors are typically found in cake sets or in tubes. An average set of watercolors should have the basic colors included. The white colored cake or rube is usually opaque and are often used in Gouache painting. If you are just starting out or a student in watercolor painting, look for brands that offer watercolor sets for academic or for students – these will be less expensive. Once your skill level increases you can switch to watercolors which are artist rated to create your watercolor paintings.

There are different colors, like transparent and semi-transparent watercolors that let light pass through the surface. There are also opaque and somewhat opaque colors like red, oranges and violet. You could also look for neutral colors.

Brushes

It is important to pick brushes which are intend for watercolor painting, since brushes that are intended for other types of painting, may damage the watercolor paper. Make sure that you are getting brushes which are guaranteed not to lose their hairs. Also, not all brushes are the same, there are flats which are used for broad areas, they have long bristles and square ends. Rounded bristles with pointed tips are for adding details. Filbert brushes have almond shaped ends which are ideal for creating shapes.

Watercolor papers

There are different kinds of watercolor papers. Machine-made paper, rough paper, hot-pressed paper, and cold-pressed paper, are some examples of watercolor paper. Their difference would be on the texture and the grains. Note that watercolor papers are not only different based on their type of manufacture, but also based on the brand of the paper. The paper you choose will make a great impact on the outcome of your art. Experimentation will lead you to which type of paper works best for you.

When buying watercolor papers, choose papers that are acid-free. Papers that have too much acid will change to yellow as time goes. Although, we usually think that watercolor papers are only white, that is not true. There are watercolor papers that have warm tints and colors.

Weight is also another important things to consider when looking for watercolor paper. The weight of a paper tells you how thick the paper is, it is usually in pounds or grams per square meter. The 300 gsm is the most-commonly used paper. While the 200 gsm is lighter, but may cause more problems, for the beginner, since it is thinner.

Palette

There are three kinds of palette which you can choose from. The first one is the cake and pan, which has a built-in fold out palette. While for tube watercolors, there are flat palettes. The covered plastic palette is a practical choice as does not waste too much watercolor.

Extra materials you need for watercolor painting.

Additional painting material you may need include pencils, pens, eraser, old towels, tissue papers and, of course, water. You would need clean tap water for cleaning the brushes and you may want to use bottled or filtered water for painting.


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Mixing Watercolors – A Combination of Science and Art
Jul 24th, 2010 by Aldouspi

Mixing Watercolors

Mixing Watercolors – A Combination of Science and Art

One of the most important aspects in watercolor painting is your sense of color. With luck, you have an inborn talent of discerning colors. But most of us don’t have that innate gift. The good news is that we can learn to mix colors from scratch. And eventually, as we study and master our craft, the colors that flow from the brush will become almost instinctive…

In watercolor painting, mixing colors is a challenge. A wrong shade here or there can make all the difference between a practice run and a work of art. Of course, it may take a long time to master such a simple thing as color. Happily again, part of the joy of art and painting is the learning of what workss.

The Basics

The basic colors are red, yellow and blue and the secondary colors are green, orange and purple.

In basic art classes, we are also taught that reds, oranges and yellow are named warm colors. Greens, blues and purples are cool colors.

Mixing

One of the first lessons in mixing colors is this — the most intense (and the purest) color come from combining two primary colors that lean toward the same secondary color. On the other hand, the more colors you mix together, the less pure your mixtures will become.

The difficulty in mixing watercolor paints comes from the absence of a “color neutral” tube color for each of the primary colors: red, yellow and blue. Some claim they have them, but these are colors that are just close and that most of them have a color bias or they lean towards some other color.

Combinations

Mixing colors need not be very complicated, if you think on as well as imagine first on the color you want to produce. If, for instance, you want pure vibrant purple, get it from a red and a blue that is biased towards purple.

A less intense purple can be had from the orange-biased red and a purple-biased ultramarine blue. For a dull purple, use the orange-biased red and the green-biased blue.

The same principle, more or less, governs colors that are opposite each other on the color wheel (ex: red and green). When mixed together, these colors will simply neutralize each other, producing only grayish, brownish color.

(One technique: To produce the color you want, use no more than three colors. Begin with the lightest one; add the darker one little by little until you get the shade you want.)

Neutralization

Mixing more than two pigments or mixing two pigments that are biased on two completely different colors will always result in “neutralized” mixtures. (“Neutralized” here means less intense or less pure.)

However, these less intense mixtures can be wonderful colors, too, and you need to know how to mix them to play them off against brighter, purer colors.

The science and the art

Another forgotten fact is that mixing colors is a matter of proportion. How much of each one goes into the mix determines the color shade of that mix. However, never over-mix your pigments.

One last word about mixing watercolors – your watercolor looks different on paper and on the palette. Spend some time dashing paint on the paper until you know what the actual look is going to be.


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